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Sketchbook pages
Some examples from my sketchbooks illustrating a variety of media and subject matterLine - rollerball penLine - pencilLine and tone - pencilLine and tone - rollerball pen and brush penLine and tone - dip pen and washA good number of my sketches involve sitting in a pub or cafe enjoying a beer or a cup of tea... which in one case becomes the medium
my art bag
Art bag
Typical contents of my art bag:
Sketchbook
Drawing materials
Viewer
Drawing board clips
Hat & sunscreen
Roll-up mat
& not shown:
Water & snacks
Lightweight waterproof
Drawing materials
Some of my current favourites
Daler Ebony Hardback Sketchbook
Tombow Brush Pens
Uniball EYE UB-157 Rollerball pen
Palomino Blackwing pencils and 2-stage sharpener
Dip pen and ink
Marks & tones
A starter menu of marks and tones
5 tones (values) of coolish grey chosen from the Tombow range
Uniball EYE rollerball is permanent and waterproof
Refillable brush pens are great for tonal work... until they burst in your pencil case... I usually prefer to carry a pot of ink and a tiny palette with deep wells
Palomino Blackwing pencils - the ultimate creamy pencils as used by Steinbeck & Disney animators. One pencil teamed with their 2 stage pencil sharpener is the ultimate minimalist sketching kit for a day's sketching
SKETCHBOOK WORKSHOP
Workshop details
Venue:
Date & time:
Tutor: Nick Penn
Workshop outline
This course is intended for all skill-levels and is an opportunity to explore new ways of using a sketchbook whether as a day-to-day journal, a record of days-out, a memento of a holiday or as preparation for a painting.
The emphasis will be on travelling light - finding a 'tool-kit' that is so compact that there is no excuse not to have it with you! And then on working quickly to capture the essence of a place without the worry of needing to produce a masterpiece: if it goes 'wrong' just turn over the page and have another go.
Weather-permitting we will work outside for most of the day.
Topics covered
- materials - sketchbooks and mark-making gear
- composition - ideas on framing a view to make a dramatic composition
- medium - choosing a medium to suit the image
- where to start - how to fit the image onto the page
- mark making - expressive marks inspired by the subject
- tonal drawing - using a full range of tonal values to build a strong image
What to bring
Your favourite sketchbook. My favourite is a stitch-bound sketchbook (rather than spiral bound) as big as you can fit into an easy-to-carry bag. I'm currently using a Daler Ebony A4 Hardback Sketchbook 150gsm acid-free paper. Has lovely ivory paper with good bleed resistance.
Viewfinder. I use a home-made cardboard viewfinder with a cutout which has the same aspect ratio as my sketchbook. I have embellished it with a criss-cross made of elasticated cotton.
Mark-making implements. The course will focus on the use of line and tone and we will be working in monochrome. Bring along whatever you have in the way of pencils, brush pens, dip pens, inks etc. in black or sepia. There are lots of good brands - at the moment I'm using Tombow brush pens along with a Uniball EYE rollerball UB157 and Palomino Blackwing pencils.
Clothing for a typical 3-season Cornish day i.e. warm clothes, waterproofs, sunhat, suncream etc. We will work within walking distance of the Hall so you can pick-and-mix and won't have to cart all this round with you.
A small mat or cushion to sit on.
A pack lunch