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      • Helford Sketchbook
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  • Home
  • Printmaking 2024
  • Paintings 
    • Sketchbook 2025
    • Sketchbook 2024
    • Sketchbook 2023
    • France 2023
    • Scilly Sketchbook 2022
    • Sketchbook 2021 2022
    • Oil Paintings 2021
    • Scilly Sketchbook 2021
    • Paintings 2020
    • Paintings 2018
    • Paintings 2017
    • Paintings 2016
    • Paintings 2015
    • Early sketchbooks
    • Helford Sketchbook
  • My Art Bag
  • Shop
  • Contact
  • …  
    • Home
    • Printmaking 2024
    • Paintings 
      • Sketchbook 2025
      • Sketchbook 2024
      • Sketchbook 2023
      • France 2023
      • Scilly Sketchbook 2022
      • Sketchbook 2021 2022
      • Oil Paintings 2021
      • Scilly Sketchbook 2021
      • Paintings 2020
      • Paintings 2018
      • Paintings 2017
      • Paintings 2016
      • Paintings 2015
      • Early sketchbooks
      • Helford Sketchbook
    • My Art Bag
    • Shop
    • Contact
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    Sketchbook 2025

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    Printmaking 2024

    broken image

    Sketchbook 2024

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    France 2023

    broken image

    Sketchbook 2023

    broken image

    Scilly Sketchbook 2022

     

    broken image

    Sketchbook 2021 2022

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    Oil Paintings 2021

    broken image

    Scilly Sketchbook 2021

    broken image

    Paintings 2020

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    Paintings 2018

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    Paintings 2017

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    Paintings 2016

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    Paintings 2015

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    Helford Sketchbook

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    Early Sketchbooks

  • Nick Penn is a sometime oceanographer, naturalist, systems engineer and gardener. He lives and works in Cornwall where he draws, paints and makes prints. He likes to work out of doors immersed in the landscape where, on a good day, he can become utterly absorbed and achieve the elusive state of ‘flow’. A passionate sketch-booker, he works variously in pencil, dip-pen and wash, brush-pens or watercolour depending on the type of mark-making that the subject calls for. He has a piecemeal training in art: a distance-learning foundation course with the Open College of the Arts in the 1990s has been followed most years by attendance at a short course at an art school, latterly Newlyn Art School. His early sketch-booking was almost exclusively monochrome before experimenting with colour during the last 10 years. A recent oil-painting course with the Norfolk Painting School during lockdown has opened up new possibilities for mark-making.

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